Magic Mike XXL is the Right Kind of Male Stripper Movie

How many times have you wondered how interesting a stripper’s life must be? If you’re the kind of person whose answer to that is ‘745,876 times’, know that “Magic Mike XXL” is not going to make you stop wondering. In the first place, there’s no reason why you should. The reasons for your fascination might be unceasing for a variety of reasons, but if you find that all these essential questions about the Male Stripper life is beginning to get cumbersome, you can just sit back and wait for male asses to pop.

The men of Magic Mike lead fantastical lives of road tripping, women-pleasing, and cash-bathing. Mike, Richie, Tito, Ken, and Ernest are fine examples of male strippers who earn their wages and value what they do. We all know those kinds of male strippers make tons of money but in this movie, they swim in dollar bills.

In the sequel to one of the best male stripper movies of all time, there is an attempt to provide insight to the guys’ personalities: Mike is committed to his business but is not really finding joy in it that he takes Ginuwine’s Pony playing on the radio as a sign that he should join the boys on their trip to the very real Stripper Convention. Richie who is allegedly hung like a horse, is having a real male struggle: he hasn’t had sex in months, a confession that he validates by reminding everyone of his dick’s enormity. The rest of the guys have mildly interesting things happening to them as well and they talk about those things in what feels like eternity, as if to tease you and me. These are some very chill male strippers with some very chill problems. The movie is too classy to make mountains out of these strippers’ molehills. Make no mistake: the road to stripper-con is filled slight inconveniences. On one of their pit-stops, they hang out with wine-drunk cougars and make them feel worshiped, and while a scene like this could have played out like a cheap segue into a who-called-the-hot-plumbers strip extravaganza, the guys’ wine session with the cougs (led by a short and captivating turn by Andie McDowell) turns out tender, fun and sweet.

Maybe I’ve been seeing the wrong male stripper movies, even though the last one I remember seeing was “Magic Mike” part 1. These were the exact same thoughts I’ve had when I first saw Magic Mike. Strippers who aren’t dirt poor, who are not deprived of skills other than dancing in colourful briefs, thongs and things, could make a living other than dancing for thirsty and curious women, but not necessarily out of choicelessness. This is a movie that respects the people’s right to see a stripper movie who are not all solely motivated by the obvious rewards of cash. The cash is indispensable but above all, stripping is fun and beneficial to everyone. Maybe, the strippers from my own native land lead the same interesting lives, and I was just too caught up in my own life to bother with the lives of people whose profession I do not share (but appreciate).

If there’s one essential element to the stripping profession and lifestyle that “Magic Mike” movies capture, specifically XXL, it is that the job of a stripper is to hold people’s attention hostage; they are fascinating onstage the way they ought to be and Mike and the guys’ boy band banter is no less entertaining.

After succeeding viewings in DVD, my thoughts have not really changed about the women-baiting, cash-bathing world of Magic Mike. If it wasn’t for my own life effectively taking over my healthy interest in stripper films, I probably wouldn’t have stopped searching for the truth. As it happens, I haven’t seen many stripper movies since Channing Tatum first bared his ass onstage with the equally unmoveable yet moving asses of his on-screen buddies Joe Manganiello (whose I Want It That Way sequence in this sequel is too great), Matt Bomer and Adam Rodriguez in the first Magic Mike; precisely the reason why to this day, I am left unenlightened. And that is okay.

“Magic Mike XXL” is exactly how movies about male strippers should be: fun, glorious and with the right amount of baby-making 90s R&B jams blaring in the soundtrack. It’s hard to think of the last time a movie about strippers let strippers be strippers. There is simply no answer to be found as to what constitutes the stripper life, unless you go and see the riveting and confused stripper documentary “La Bare” in which real life male strippers talk about their lives. Where a movie like “Magic Mike” sort of builds mystery (or at least maintains it) for male strippers, that must-watch documentary destroys it. As the saying goes: Your life, your choice of male stripper film.

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