Greatest Hits and Misses

I want to have all of Mariah Carey’s Greatest Hits albums because I fear the total shut down of CD-selling is nigh. CDs are always going to be a part of me, they’re a part of me indefinitely, although I’ve been reassessing the importance of CDs in my life since it seems like such a huge waste of money to buy several greatest hits album of an artist whose individual albums I already own. Besides, how greedy should a record label be to release not one, not two, but five Greatest Hitses for a single artist to sell me, the unwise consumer? More importantly, how greedy am I for wanting to have everything of hers? Very greedy, it would appear, and I don’t mind. I never knew how much greedier I could get with an iPod since owning one only caused me to want even more albums. I therefore conclude that greed recognizes no format.

I only ever felt this need for Mariah whose Greatest Hits I got recently. It is a sloppily packaged CD and there are no thank yous to be found, not so much as a Hi, not even the type of hasty i-love-you-fans type of message that artists feel the need to say to fans for their contribution to their already insanely vast riches via album purchases and general acts of worship. As a practicer of such worship, I don’t feel sorry for contributing to certain singers’ riches as it is their due for being so aspirational and generally just fabulous in every way and for being so great at making people feel this blinded but ultimately satisfactory sense of satiation, and for being so skilled at promising lifelong fanaticism to them that creates within a fan/lonely-consumer-who-finds-meaning-in-material-things a true sense of fulfillment and joy that’s quite hard to explain although easy to be repetitive and be such a bore about. Greatest Hits is quite the obligatory Sony release and its fuss-free booklet is such a shameful act of obligation fulfillment since this is the least suspicious greatest hits of hers and couldn’t they have at least got a nice, crazy quote from her. In a perfect world this would have remixes, b-sides, live performances, rock versions and remakes which we will never tire of.

This collection claims to be ‘the ultimate Mariah Carey album. From the infectious Dreamlover through to Fantasy and Underneath the Stars all the songs on this album are certified Mariah classics‘ which may or may not be right depending on which particular consumer is consuming this product. This is simply something that can be said of any of her compilation albums including The Remixes and #1s. The sequence doesn’t do the randomness of the songs any favor. This compilation is for the very casual Mariah Carey consumer and the album is happy just to be sold.

The inclusion of Fantasy ODB Remix in The Remixes, although already included in two previous compilation albums, is not this album’s only sin. Here is finally a remix album with which the geniuses at Sony can finally shelter the remixes of her great remixes [I Still Believe (Damizza Remix), Breakdown (Mo Thugs), Honey (Bad Boy Remix), to name a few ] and what do the geniuses do? They not only exclude the remixed version of the songs, they include the previously released album versions, probably with the mindset that consumers who have yet to discover the very obscure Mariah Carey discography will learn that a song called Breakdown exists in its chaste form, that is, non-remixed, even though it is in a REMIX ALBUM, and it will be so much better to leave it untouched and stack said songs with actual remixes. Concept schmoncept, sales is king. Also a sin? Uglifying Charmbracelet’s Yours featuring a guest verse from BIG sound alike Bone Crusher. Another sin is editing I Know What You Want right to the part where Busta Rhymes says J Records. This album needs to confess.

And because the world needs another Mariah Carey love songs compilation (and maybe it seriously does), Sony, the milkingest record label of all time, releases The Ballads. Mariah is pure cash cow at this point. She’s been milked so thoroughly, you have to wonder if there’s any left for her babies. I’m sorry, that was sinister. But Sony is sinisterer. This is actually not a completely worthless product if you ask the laziest playlist maker in the world. This proves useful when you don’t feel like making your own Mariah ballads playlist, except the playlist is still quite limited and repetitive. If I were to make my own ballads playlist, I’d include unreleased and rare stuff such as Slipping Away and There for Me because I’m not from Sony music. Record Label Geniuses think differently. What is another Hero, Vision of Love, My All in yet another Mariah Carey greatest hits of sorts collection? Cash and time spared from a well thought-out playlist, is what.

The greatest greatest hits in my humble opinion is the modestly titled, #1s. In its liner notes, Mariah screams, No! This is not yet the Greatest Hits! Too early for that! although it may as well have been. This is a remarkable collection that reminds of the time when Mariah albums are both product and art, however meaningless being either entailed. And it’s just what we needed: a fairly sized number 1 hits collection that begins with a foreboding of things to come, image and soundwise. It begins with the sexy Sweetheart with Jermaine Dupri, followed by prestige duets When You Believe with Whitney Houston and Whenever You Call with Brian McKnight, which if songs were representations of our diva, is exactly how I like my Mariah: sexy and prestigious. It begins with the recent hits and winds down to the earliest, offering a trip down memory lane, tracing the progression/regression from the skimpy outfitting, helicopter ho posturing-Mariah to the Boyz II Men dueting, tights-loving Mariah of the Sony Mottola years. It was a lovely era of great, almost minimalistic album covers (#1s, Butterfly, Daydream) and rap guest verse-heavy R&B which is really what made me go crazy about her. Not long after this gorgeous era, she got a little crazy herself. But the hits that resulted from the insane era, also great. And with bated breath, I/we await the 00s Mariah’s greatest hits., Glitter things very much included.

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3 thoughts on “Greatest Hits and Misses

  1. Record companies can issue any compilation without artists’ approval. It doesn’t have to be a greatest hitd package, just a collection. It moves the market and keeps the master recordings usable. Pink didn’t want a greatest hits but she said yes so she could control the content. When Mariah left Sony, she left them total control over her master tapes. I think her IDJ recordings are under her ownership. Let’s hope that she returns to Sony soon so she could create a joint venture with them to co-own her masters. That’s what Michael Jackson did. Even the Beatles do not own their masters. Michael bought them. How many compilations have the Beatles had? Too many to count, and they didn’t have a say in them. Anyway, if you listen closely, Mariah’s “The Collection” (or “The Playlist” in some markets features remastered tracks. “I Am Free” is a different version with an alternate intro. J Records is a Sony unit and they can recut a song whenever they want. Even Diana Ross’ “diana!” album from 1980 was entirely remixed before being released, without approval from the album’s producers. They eventually released both versions after 2 decades (which I got; to be honest the remixed edition is better than the original mix).

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  2. I hope she secures rights to every IDJ recording because if there’s at least a bit of creative control over the album, it won’t look hurried or neglected. Tori Amos mostly had control over her greatest hits releases so even though there were a lot, most of them seemed really thought out, releasing b-sides, remixes, bootlegs that were previously unavailable. And she remasters some of the songs (Tales of a Librarian). It would be so wonderful to have all 90s Mariah remixes, b-sides and unreleased things be in one extravagant package! I get shivers just thinking about the possibilities for the unreleased/live versions.

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  3. Greatest Hits is the second compilation album by American singer Mariah Carey , released in the United States on December 4, 2001 by Columbia Records . It is a greatest hits double album: CD 1 is primarily a collection of Carey’s hits from 1990 to 1995, while CD 2 is primarily a collection of hits from 1996 to 2000. The album was re-released again in 2011 as The Essential Mariah Carey using the exact same track listing.

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